Print Brazil VIDEO Rough cut: family firms, books and bars
Print Brazil is a rough cut taken from a trip to Sao Paulo Harry made in August 2014. There’s more…
Theatre REVIEW Back to the future with Dario Fo’s sparkling script and a youthful cast firing on all shopping bags
Can’t Pay? Won’t Pay! Cygnet Theatre, Exeter With zero hours contracts, the minimum wage and exorbitantly high rent and utility…
Bitching, back-biting and a punch-up: the perfect warm-up for the General Election!
The Absence of War. Bristol Old Vic. Is George Jones going to win the election? Can Ed Milliband beat David…
NEWS Crimes, murders and misdemeanours: Harry Mottram is appointed city crime reporter
OK… maybe not murders, but definitely crimes. Harry Mottram is covering crime in Exeter for the Express and Echo newspaper…
PHOTOGRAPHY New page dedicated to images of Cheddar Reservoir
I run around the reservoir most days and often twice a day. Built in the 1930s Cheddar Reservoir is strawberry…
“Where’s me zimmer frame?” New cartoon for Print Monthly
The cartoon supports an editorial in Print Monthly that suggests print workers are all getting too old with not enough…
VIDEO Streetlight Festival in Oxford: something special happened in Magdalen Street
A short film to give a flavour of the pop up festival held in Magdalen Road, Oxford, on Saturday 22nd…
VIDEO Report on the battle to stop developers building homes in the grounds of a country house near Exeter
From March 23, 2015 Harry will be working as a multi-media journalist at the Express and Echo in Exeter. This…
Rapscallion Magazine THEATRE REVIEW The Life and Times of Fanny Hill: an enjoyably smutty romp as Quentine sweeps all before her in a cluttered story of Georgian prostitution
The Life and Times of Fanny Hill. Bristol Old Vic Theatre How many times do you get it a night?…
Rapscallion Magazine BOOK REVIEW Lots of really well written deaths (but hardly any sex) in epic story of farming brothers set in Wales
On the Black Hill. By Bruce Chatwin. For more visit http://tinyurl.com/mgzx66z We love a good death and Bruce Chatwin does…
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